Notes.fmCredits.fm
ISRCISWCIPIISNIUPCMusiciansAPIMCP
Credits.fmCredits.fm
SearchISRCCreditsWorksMore

Search

  • Credits.fm
  • isrc.fm
  • iswc.fm
  • ipi.fm
  • isni.fm
  • UPC Search
  • Musician Search
  • Credits Graph
  • Top IPIs
  • Top ISRCs
  • Top ISWCs
  • Top ISNIs
  • Top UPCs

Learn

  • What Are Music Credits?
  • What Is an ISRC?
  • What Is an ISWC?
  • What Is an IPI?
  • What Is an ISNI?
  • What Is a UPC?
  • ISRC vs ISWC
  • ISRC vs UPC
  • IPI vs ISNI
  • Glossary

Developers

  • REST API
  • Credits Graph
  • MCP Server
  • llms.txt

About

  • About Credits.fm
  • Notes.fm
  • Privacy Policy
  • Terms of Service
Notes.fm
  1. Home
  2. ISRCs
  3. GBAYC8500356

ISRC

GBAYC8500356

Carmen : Acte I. « Près des remparts de Séville »✓2

Song: Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)

Maria CallasNicolai GeddaOrchestre de l’Opéra national de ParisGeorges Prêtre
matched
Released 1964-01-01

Last verified: August 27, 2026

GBAYC8500356 is the International Standard Recording Code (ISRC) for the recording “Carmen : Acte I. « Près des remparts de Séville »” by Maria Callas, Nicolai Gedda, Orchestre de l’Opéra national de Paris, Georges Prêtre, released 1964-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T9115077402.

Format

GBCountry
AYCRegistrant
85Year (1985)
00356Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1985):
Last two digits of the reference year (1985). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCCarmen : Acte I. « Près des remparts de Séville »
ISWCCarmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)

Musical Work (ISWC)

T9115077402Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)

Credits Graph

MLC Song Code

P4070P
Verify on MLC Portal →
SourcesMusicBrainzMLC✓2 sources

Verified on

  • MusicBrainz recording record
  • MLC song record

People also ask

What is the ISRC for "Carmen : Acte I. « Près des remparts de Séville »" by Maria Callas?+
The ISRC for "Carmen : Acte I. « Près des remparts de Séville »" by Maria Callas, Nicolai Gedda, Orchestre de l’Opéra national de Paris, Georges Prêtre is GBAYC8500356.
What is an ISRC and what does it tell you?+
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.
Is the ISRC the same as the ISWC?+
No. The ISRC identifies a specific recording, while the ISWC identifies the underlying musical composition. GBAYC8500356 is the ISRC for this recording; T9115077402 is the ISWC for the composition it is a recording of. One composition (ISWC) can have many recordings (ISRCs) — originals, remixes, live versions, and covers each get their own ISRC but share the same ISWC.

Collect royalties for this recording

Notes is distribution, publishing administration, and royalty collection in one account. Flat subscription. Notes does not take a percentage of royalties.

Collect royalties with Notes

What is ISRC GBAYC8500356?

GBAYC8500356 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Carmen : Acte I. « Près des remparts de Séville »” by Maria Callas, Nicolai Gedda, Orchestre de l’Opéra national de Paris, Georges Prêtre. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

This recording is linked to the musical work T9115077402, which represents the underlying composition. Multiple recordings can share the same musical work — for example, an original version, a remix, and a cover would each have their own ISRC but reference the same ISWC.

Learn more about ISRCs · Powered by Notes.fm

Maria CallasNicolai GeddaOrchestre de l’Opéra national de ParisGeorges Prêtre

GBAYC8500356 is the International Standard Recording Code (ISRC) for the recording “Carmen : Acte I. « Près des remparts de Séville »” by Maria Callas, Nicolai Gedda, Orchestre de l’Opéra national de Paris, Georges Prêtre, released 1964-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T9115077402.

Maria Callas, Nicolai Gedda, Orchestre de l’Opéra national de Paris, Georges Prêtre

Related

Other versions of this workView all on iswc.fm

Carmen : Acte I. Prélude

Giorgio Lamberti, Graciela Alperyn, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Ali Rahbari

HKI199092401
Gypsy Carmen

Sumi Jo

KRUM71100077
Carmen, WD 31, Act II: « Votre toast, je peux vous le rendre » – « Toréador, en garde »

Teddy Tahu Rhodes, Alison Morgan, Jenny Duck-Chong, Sally-Anne Russell, Cantillation, Sinfonia Australis, Antony Walker

AUAB00450323
Carmen : Air du toréador « Votre toast, je peux vous le rendre »

Élizabeth Vidal

GBAYC0203238
Carmen: « Votre Toast » (Toreador Song)

Alan Titus, Symfonický orchester Slovenského rozhlasu, علی رهبری

HKI199320706

More by Maria Callas

Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » (Carmen, Chœur)

Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre

GBAYC9701432
Madama Butterfly: Act II. "Un bel dì vedremo"

Maria Callas, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan

GBAYC9702574
Faust : Acte V, Scène II. “Alerte, alerte”…“Anges purs”…“Christ est ressuscité” (Méphistophélès, Marguerite, Faust, Chœur)

Orchestre, Chœurs du Théâtre National de l'Opéra de Paris, Jean LaForge, Georges Prêtre

GBAYC8600361
Gianni Schicchi: Atto I. “O mio babbino caro”

Maria Callas, Philharmonia Orchestra, Tullio Serafin

GBAYC9701091
Manon : Acte II. « Je ne suis que faiblesse… Adieu, notre petite table »

Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre

GBAYC9701199
Mignon : « Ah, pour ce soir » … « Je suis Titania »

Maria Callas, Orchestre national de la Radiodiffusion Française, Georges Prêtre

GBAYC9701187