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Otello: “Dio! mi potevi scagliar” (Otello) album cover

ISRC

GBAYC8501583

Otello: “Dio! mi potevi scagliar” (Otello)

Song: DIO, MI POTEVI SCAGLIAR TUTTI I MALI

Plácido DomingoJustino DíazOrchestra del Teatro alla Scala di MilanoLorin Maazel
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Released 1987-01-01

Last verified:

GBAYC8501583 is the International Standard Recording Code (ISRC) for the recording "Otello: “Dio! mi potevi scagliar” (Otello)" by Plácido Domingo, Justino Díaz, Orchestra del Teatro alla Scala di Milano, Lorin Maazel, released 1987-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
85Year (1985)
01583Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1985):
Last two digits of the reference year (1985). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Otello: “Dio! mi potevi scagliar” (Otello)" by Plácido Domingo?
The ISRC for "Otello: “Dio! mi potevi scagliar” (Otello)" by Plácido Domingo, Justino Díaz, Orchestra del Teatro alla Scala di Milano, Lorin Maazel is GBAYC8501583.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC8501583?

GBAYC8501583 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Otello: “Dio! mi potevi scagliar” (Otello)" by Plácido Domingo, Justino Díaz, Orchestra del Teatro alla Scala di Milano, Lorin Maazel. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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