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The bartered bride, Act I: “Kdybych se co takového” / Should I ever learn album cover

ISRC

GBAYC8703825

The bartered bride, Act I: “Kdybych se co takového” / Should I ever learn2

Song: 'VISSI, D'ARTE' FROM 'TOSCA' (ACT II)

Lucia PoppMünchner RundfunkorchesterStefan Soltesz
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GBAYC8703825 is the International Standard Recording Code (ISRC) for the recording "The bartered bride, Act I: “Kdybych se co takového” / Should I ever learn" by Lucia Popp, Münchner Rundfunkorchester, Stefan Soltesz. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
87Year (1987)
03825Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1987):
Last two digits of the reference year (1987). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "The bartered bride, Act I: “Kdybych se co takového” / Should I ever learn" by Lucia Popp?
The ISRC for "The bartered bride, Act I: “Kdybych se co takového” / Should I ever learn" by Lucia Popp, Münchner Rundfunkorchester, Stefan Soltesz is GBAYC8703825.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC8703825?

GBAYC8703825 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "The bartered bride, Act I: “Kdybych se co takového” / Should I ever learn" by Lucia Popp, Münchner Rundfunkorchester, Stefan Soltesz. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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