ISRC

GBAYC8900844

Mozart: Le nozze di Figaro, K. 492, Act III, Scene 11: No. 21, Coro. “Ricevete, o padroncina” (Coro) - Recitativo, “Queste sono, Madama” (Barbarina, Contessa, Susanna) - “Eh, cospettacio” (Antonio, Contessa, Susanna, Conte, Cherubino, Barba

Song: LE NOZZE DI FIGARO

Wolfgang Amadeus MozartEuropa Philharmonia ChoirPhilharmonia OrchestraCarlo Maria GiuliniAnna MoffoEberhard WächterElisabeth SchwarzkopfElisabetta FuscoFiorenza CossottoGiuseppe TaddeiHeinrich SchmidtPhilharmonia ChorusPiero Cappuccilli

unmatchedNot yet matched in the MLC database

Released 1961-01-01

Last verified: March 19, 2026

GBAYC8900844 is the International Standard Recording Code (ISRC) for the recording "Mozart: Le nozze di Figaro, K. 492, Act III, Scene 11: No. 21, Coro. “Ricevete, o padroncina” (Coro) - Recitativo, “Queste sono, Madama” (Barbarina, Contessa, Susanna) - “Eh, cospettacio” (Antonio, Contessa, Susanna, Conte, Cherubino, Barba" by Wolfgang Amadeus Mozart, Europa Philharmonia Choir, Philharmonia Orchestra, Carlo Maria Giulini, Anna Moffo, Eberhard Wächter, Elisabeth Schwarzkopf, Elisabetta Fusco, Fiorenza Cossotto, Giuseppe Taddei, Heinrich Schmidt, Philharmonia Chorus, Piero Cappuccilli, released 1961-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry

AYCRegistrant

89Year (1989)

00844Designation

Country:: ISO 3166-1 alpha-2 country code (GB).
Registrant:: 3-character code identifying the label or distributor that assigned this ISRC.
Year (1989):: Last two digits of the reference year (1989). Years < 50 are 21st century.
Designation:: Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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People also ask

What is the ISRC for "Mozart: Le nozze di Figaro, K. 492, Act III, Scene 11: No. 21, Coro. “Ricevete, o padroncina” (Coro) - Recitativo, “Queste sono, Madama” (Barbarina, Contessa, Susanna) - “Eh, cospettacio” (Antonio, Contessa, Susanna, Conte, Cherubino, Barba" by Wolfgang Amadeus Mozart?

The ISRC for "Mozart: Le nozze di Figaro, K. 492, Act III, Scene 11: No. 21, Coro. “Ricevete, o padroncina” (Coro) - Recitativo, “Queste sono, Madama” (Barbarina, Contessa, Susanna) - “Eh, cospettacio” (Antonio, Contessa, Susanna, Conte, Cherubino, Barba" by Wolfgang Amadeus Mozart, Europa Philharmonia Choir, Philharmonia Orchestra, Carlo Maria Giulini, Anna Moffo, Eberhard Wächter, Elisabeth Schwarzkopf, Elisabetta Fusco, Fiorenza Cossotto, Giuseppe Taddei, Heinrich Schmidt, Philharmonia Chorus, Piero Cappuccilli is GBAYC8900844.

What is an ISRC and what does it tell you?

An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC8900844?

GBAYC8900844 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Mozart: Le nozze di Figaro, K. 492, Act III, Scene 11: No. 21, Coro. “Ricevete, o padroncina” (Coro) - Recitativo, “Queste sono, Madama” (Barbarina, Contessa, Susanna) - “Eh, cospettacio” (Antonio, Contessa, Susanna, Conte, Cherubino, Barba" by Wolfgang Amadeus Mozart, Europa Philharmonia Choir, Philharmonia Orchestra, Carlo Maria Giulini, Anna Moffo, Eberhard Wächter, Elisabeth Schwarzkopf, Elisabetta Fusco, Fiorenza Cossotto, Giuseppe Taddei, Heinrich Schmidt, Philharmonia Chorus, Piero Cappuccilli. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.