ISRC
Weihnachts-Oratorium, Am Sonntage nach Neujahr: 47. Aria (Basso) "Erleucht auch meine finstre Sinnen"2
Song: Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“
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GBAYC8901545 is the International Standard Recording Code (ISRC) for the recording “Weihnachts-Oratorium, Am Sonntage nach Neujahr: 47. Aria (Basso) "Erleucht auch meine finstre Sinnen"” by Peter Kooij, Collegium Vocale Gent, Philippe Herreweghe, released 1989-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T0700249611.
Credit Chain
Musical Work (ISWC)
T0700249611Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“GBAYC8901545 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Weihnachts-Oratorium, Am Sonntage nach Neujahr: 47. Aria (Basso) "Erleucht auch meine finstre Sinnen"” by Peter Kooij, Collegium Vocale Gent, Philippe Herreweghe. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
This recording is linked to the musical work T0700249611, which represents the underlying composition. Multiple recordings can share the same musical work — for example, an original version, a remix, and a cover would each have their own ISRC but reference the same ISWC.
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FRZ149724020GBAYC8901545 is the International Standard Recording Code (ISRC) for the recording “Weihnachts-Oratorium, Am Sonntage nach Neujahr: 47. Aria (Basso) "Erleucht auch meine finstre Sinnen"” by Peter Kooij, Collegium Vocale Gent, Philippe Herreweghe, released 1989-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T0700249611.
