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3 morceaux en forme de poire: II. Prolongation du même (Au pas – Plus large) album cover

ISRC

GBAYC9003515

3 morceaux en forme de poire: II. Prolongation du même (Au pas – Plus large)

Song: Trois morceaux en forme de poire : Prolongation du même

Anne QueffélecCatherine Collard
Released 2004-08-02

Last verified:

GBAYC9003515 is the International Standard Recording Code (ISRC) for the recording "3 morceaux en forme de poire: II. Prolongation du même (Au pas – Plus large)" by Anne Queffélec, Catherine Collard, released 2004-08-02. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
90Year (1990)
03515Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1990):
Last two digits of the reference year (1990). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "3 morceaux en forme de poire: II. Prolongation du même (Au pas – Plus large)" by Anne Queffélec?
The ISRC for "3 morceaux en forme de poire: II. Prolongation du même (Au pas – Plus large)" by Anne Queffélec, Catherine Collard is GBAYC9003515.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC9003515?

GBAYC9003515 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "3 morceaux en forme de poire: II. Prolongation du même (Au pas – Plus large)" by Anne Queffélec, Catherine Collard. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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