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Requiem, KV. 626: II. Kyrie eleison album cover

ISRC

GBAYC9100893

Requiem, KV. 626: II. Kyrie eleison2

Song: PUBLIC DOMAIN TRACK

The Schütz Choir of LondonThe London Classical PlayersSir Roger Norrington
unmatchedNot yet matched in the MLC database
Released 1992-01-01

Last verified:

GBAYC9100893 is the International Standard Recording Code (ISRC) for the recording "Requiem, KV. 626: II. Kyrie eleison" by The Schütz Choir of London, The London Classical Players, Sir Roger Norrington, released 1992-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
91Year (1991)
00893Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1991):
Last two digits of the reference year (1991). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Requiem, KV. 626: II. Kyrie eleison" by The Schütz Choir of London?
The ISRC for "Requiem, KV. 626: II. Kyrie eleison" by The Schütz Choir of London, The London Classical Players, Sir Roger Norrington is GBAYC9100893.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC9100893?

GBAYC9100893 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Requiem, KV. 626: II. Kyrie eleison" by The Schütz Choir of London, The London Classical Players, Sir Roger Norrington. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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