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Holy Sonnets of John Donne, op. 35: 3. O Might Those Sighes and Teares album cover

ISRC

GBAYC9301999

Holy Sonnets of John Donne, op. 35: 3. O Might Those Sighes and Teares

Song: The Holy Sonnets of John Donne, op. 35: Oh might those sighes and teares

Peter PearsBenjamin Britten
Released 1993-01-01

Last verified:

GBAYC9301999 is the International Standard Recording Code (ISRC) for the recording "Holy Sonnets of John Donne, op. 35: 3. O Might Those Sighes and Teares" by Peter Pears, Benjamin Britten, released 1993-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
93Year (1993)
01999Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1993):
Last two digits of the reference year (1993). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Holy Sonnets of John Donne, op. 35: 3. O Might Those Sighes and Teares" by Peter Pears?
The ISRC for "Holy Sonnets of John Donne, op. 35: 3. O Might Those Sighes and Teares" by Peter Pears, Benjamin Britten is GBAYC9301999.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC9301999?

GBAYC9301999 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Holy Sonnets of John Donne, op. 35: 3. O Might Those Sighes and Teares" by Peter Pears, Benjamin Britten. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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