ISRC

GBAYC9603523

Mass in B minor, BWV 232: Sanctus. XXVI. Agnus Dei (mezzo-soprano)

Song: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei

Bernarda FinkEnsemble Instrumental de LausanneMichel Corboz
Released 2005-11-25

Last verified:

GBAYC9603523 is the International Standard Recording Code (ISRC) for the recording "Mass in B minor, BWV 232: Sanctus. XXVI. Agnus Dei (mezzo-soprano)" by Bernarda Fink, Ensemble Instrumental de Lausanne, Michel Corboz, released 2005-11-25. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
96Year (1996)
03523Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1996):
Last two digits of the reference year (1996). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Mass in B minor, BWV 232: Sanctus. XXVI. Agnus Dei (mezzo-soprano)" by Bernarda Fink?
The ISRC for "Mass in B minor, BWV 232: Sanctus. XXVI. Agnus Dei (mezzo-soprano)" by Bernarda Fink, Ensemble Instrumental de Lausanne, Michel Corboz is GBAYC9603523.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC9603523?

GBAYC9603523 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Mass in B minor, BWV 232: Sanctus. XXVI. Agnus Dei (mezzo-soprano)" by Bernarda Fink, Ensemble Instrumental de Lausanne, Michel Corboz. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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