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ISRC

GBAYC9800807

Don Quixote, op. 35: Var. II: The Battle with the Sheep -

Song: Don Quixote, op. 35: Variation II: The Battle With the Sheep

Ulrich KochMstislav RostropovichBerliner PhilharmonikerHerbert von Karajan
Released 1995-01-01

Last verified:

GBAYC9800807 is the International Standard Recording Code (ISRC) for the recording "Don Quixote, op. 35: Var. II: The Battle with the Sheep -" by Ulrich Koch, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan, released 1995-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
98Year (1998)
00807Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1998):
Last two digits of the reference year (1998). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Don Quixote, op. 35: Var. II: The Battle with the Sheep -" by Ulrich Koch?
The ISRC for "Don Quixote, op. 35: Var. II: The Battle with the Sheep -" by Ulrich Koch, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan is GBAYC9800807.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC9800807?

GBAYC9800807 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Don Quixote, op. 35: Var. II: The Battle with the Sheep -" by Ulrich Koch, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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