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Baroque Songs (17th & 18th century, instrumental arr. by José María Lamaña): El canapé album cover

ISRC

GBAYC9801439

Baroque Songs (17th & 18th century, instrumental arr. by José María Lamaña): El canapé

Victoria de los ÁngelesJosé María Lamaña

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GBAYC9801439 is the International Standard Recording Code (ISRC) for the recording “Baroque Songs (17th & 18th century, instrumental arr. by José María Lamaña): El canapé” by Victoria de los Ángeles, José María Lamaña. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
98Year (1998)
01439Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1998):
Last two digits of the reference year (1998). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Baroque Songs (17th & 18th century, instrumental arr. by José María Lamaña): El canapé" by Victoria de los Ángeles?
The ISRC for "Baroque Songs (17th & 18th century, instrumental arr. by José María Lamaña): El canapé" by Victoria de los Ángeles, José María Lamaña is GBAYC9801439.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC9801439?

GBAYC9801439 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Baroque Songs (17th & 18th century, instrumental arr. by José María Lamaña): El canapé” by Victoria de los Ángeles, José María Lamaña. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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