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ISRC

GBAYC9802419

Lieder und Gesänge - Vol. II - 2. Ich ging mit Lust durch einen grünen Wald (I walked with joy)

Song: Lieder und Gesänge: VII. Ich ging mit Lust durch einen grünen Wald

Katarina KarnéusRoger Vignoles
Released 2010-01-01

Last verified:

GBAYC9802419 is the International Standard Recording Code (ISRC) for the recording "Lieder und Gesänge - Vol. II - 2. Ich ging mit Lust durch einen grünen Wald (I walked with joy)" by Katarina Karnéus, Roger Vignoles, released 2010-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
98Year (1998)
02419Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1998):
Last two digits of the reference year (1998). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Lieder und Gesänge - Vol. II - 2. Ich ging mit Lust durch einen grünen Wald (I walked with joy)" by Katarina Karnéus?
The ISRC for "Lieder und Gesänge - Vol. II - 2. Ich ging mit Lust durch einen grünen Wald (I walked with joy)" by Katarina Karnéus, Roger Vignoles is GBAYC9802419.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC9802419?

GBAYC9802419 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Lieder und Gesänge - Vol. II - 2. Ich ging mit Lust durch einen grünen Wald (I walked with joy)" by Katarina Karnéus, Roger Vignoles. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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