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ISRC

GBAYD1100078

Flute Concerto no. 1 in F major “La Tempesta Di Mare”, RV433: Presto

Song: Concerto in F major, op. 10 no. 1, RV 433 "La tempesta di mare": III. Presto

William BennettEnglish Chamber OrchestraGeorge Malcolm
Released 2013-02-26

Last verified:

GBAYD1100078 is the International Standard Recording Code (ISRC) for the recording "Flute Concerto no. 1 in F major “La Tempesta Di Mare”, RV433: Presto" by William Bennett, English Chamber Orchestra, George Malcolm, released 2013-02-26. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYDRegistrant
11Year (2011)
00078Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Flute Concerto no. 1 in F major “La Tempesta Di Mare”, RV433: Presto" by William Bennett?
The ISRC for "Flute Concerto no. 1 in F major “La Tempesta Di Mare”, RV433: Presto" by William Bennett, English Chamber Orchestra, George Malcolm is GBAYD1100078.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYD1100078?

GBAYD1100078 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Flute Concerto no. 1 in F major “La Tempesta Di Mare”, RV433: Presto" by William Bennett, English Chamber Orchestra, George Malcolm. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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