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King Christian II, op. 27: II. Élégie album cover

ISRC

GBAYD7800003

King Christian II, op. 27: II. Élégie2

Song: SUITE FROM 'HENRY V' INCLUDES: OVERTURE, 'THE GLOBE PLAYHOUSE'--PASSACAGLIA, 'DEATH OF FALSTAFF'--CHARGE AND BATTLE--TOUCH HER SOFT LIPS AND PART--AGIN-COURT SONG

Bournemouth Symphony OrchestraPaavo Berglund
unmatchedNot yet matched in the MLC database
Released 2013-01-04

Last verified:

GBAYD7800003 is the International Standard Recording Code (ISRC) for the recording “King Christian II, op. 27: II. Élégie” by Bournemouth Symphony Orchestra, Paavo Berglund, released 2013-01-04. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYDRegistrant
78Year (1978)
00003Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1978):
Last two digits of the reference year (1978). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "King Christian II, op. 27: II. Élégie" by Bournemouth Symphony Orchestra?
The ISRC for "King Christian II, op. 27: II. Élégie" by Bournemouth Symphony Orchestra, Paavo Berglund is GBAYD7800003.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYD7800003?

GBAYD7800003 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “King Christian II, op. 27: II. Élégie” by Bournemouth Symphony Orchestra, Paavo Berglund. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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