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ISRC

GBAYD9100520

One foot in Eden still, I stand

Thomas RoseMichael PearceRobin TysonGautam RangarajanPaul RobinsonChoir of King's CollegeCambridgeStephen Cleobury
Released 1993-01-01

Last verified:

GBAYD9100520 is the International Standard Recording Code (ISRC) for the recording "One foot in Eden still, I stand" by Thomas Rose, Michael Pearce, Robin Tyson, Gautam Rangarajan, Paul Robinson, Choir of King's College, Cambridge, Stephen Cleobury, released 1993-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYDRegistrant
91Year (1991)
00520Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1991):
Last two digits of the reference year (1991). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "One foot in Eden still, I stand" by Thomas Rose?
The ISRC for "One foot in Eden still, I stand" by Thomas Rose, Michael Pearce, Robin Tyson, Gautam Rangarajan, Paul Robinson, Choir of King's College, Cambridge, Stephen Cleobury is GBAYD9100520.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYD9100520?

GBAYD9100520 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "One foot in Eden still, I stand" by Thomas Rose, Michael Pearce, Robin Tyson, Gautam Rangarajan, Paul Robinson, Choir of King's College, Cambridge, Stephen Cleobury. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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