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I Don’t Wanna Be a Soldier Mama I Don’t Wanna Die album cover

ISRC

GBAYE1000773

I Don’t Wanna Be a Soldier Mama I Don’t Wanna Die2

Song: I DON'T WANT TO BE A SOLDIER

John Lennon
matched
Released 1971-01-01

Last verified:

GBAYE1000773 is the International Standard Recording Code (ISRC) for the recording “I Don’t Wanna Be a Soldier Mama I Don’t Wanna Die” by John Lennon, released 1971-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOHN LENNON.

Format

GBCountry
AYERegistrant
10Year (2010)
00773Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCI Don’t Wanna Be a Soldier Mama I Don’t Wanna Die
IPIJOHN LENNON

People also ask

What is the ISRC for "I Don’t Wanna Be a Soldier Mama I Don’t Wanna Die" by John Lennon?
The ISRC for "I Don’t Wanna Be a Soldier Mama I Don’t Wanna Die" by John Lennon is GBAYE1000773.
Who wrote "I Don’t Wanna Be a Soldier Mama I Don’t Wanna Die"?
"I Don’t Wanna Be a Soldier Mama I Don’t Wanna Die" was written by JOHN LENNON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYE1000773?

GBAYE1000773 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “I Don’t Wanna Be a Soldier Mama I Don’t Wanna Die” by John Lennon. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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