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Home (The RAK Sessions) album cover

ISRC

GBAYE1202451

Home (The RAK Sessions)2

Song: HOME

Gabrielle Aplin
unmatchedNot yet matched in the MLC database
Released 2013-05-13

Last verified:

GBAYE1202451 is the International Standard Recording Code (ISRC) for the recording “Home (The RAK Sessions)” by Gabrielle Aplin, released 2013-05-13. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by GABRIELLE APLIN, NICHOLAS WILLIAM ATKINSON.

Format

GBCountry
AYERegistrant
12Year (2012)
02451Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

GABRIELLE APLINComposerLyricist
NICHOLAS WILLIAM ATKINSONComposerLyricist

Credits Graph

MLC Song Code

H5740D
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Home (The RAK Sessions)" by Gabrielle Aplin?
The ISRC for "Home (The RAK Sessions)" by Gabrielle Aplin is GBAYE1202451.
Who wrote "Home (The RAK Sessions)"?
"Home (The RAK Sessions)" was written by GABRIELLE APLIN, NICHOLAS WILLIAM ATKINSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYE1202451?

GBAYE1202451 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Home (The RAK Sessions)” by Gabrielle Aplin. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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