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Oberon, Act 1: Aria: From Boyhood Trained album cover

ISRC

GBBBA0241711

Oberon, Act 1: Aria: From Boyhood Trained2

Song: ARIA FROM TRISTAN AND ISOLDE

Orchestre Révolutionnaire et RomantiqueSir John Eliot Gardiner
unmatchedNot yet matched in the MLC database
Released 2005-01-01

Last verified:

GBBBA0241711 is the International Standard Recording Code (ISRC) for the recording "Oberon, Act 1: Aria: From Boyhood Trained" by Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner, released 2005-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
BBARegistrant
02Year (2002)
41711Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2002):
Last two digits of the reference year (2002). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Oberon, Act 1: Aria: From Boyhood Trained" by Orchestre Révolutionnaire et Romantique?
The ISRC for "Oberon, Act 1: Aria: From Boyhood Trained" by Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner is GBBBA0241711.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBBBA0241711?

GBBBA0241711 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Oberon, Act 1: Aria: From Boyhood Trained" by Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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