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Werther: Toute mon âme est là!... Pourqoi me réveiller album cover

ISRC

GBBBA0742430

Werther: Toute mon âme est là!... Pourqoi me réveiller2

Song: WERTHER

Jonas KaufmannPrague Philharmonic OrchestraMarco Armiliato
unmatchedNot yet matched in the MLC database
Released 2008-01-14

Last verified:

GBBBA0742430 is the International Standard Recording Code (ISRC) for the recording "Werther: Toute mon âme est là!... Pourqoi me réveiller" by Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato, released 2008-01-14. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
BBARegistrant
07Year (2007)
42430Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2007):
Last two digits of the reference year (2007). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Werther: Toute mon âme est là!... Pourqoi me réveiller" by Jonas Kaufmann?
The ISRC for "Werther: Toute mon âme est là!... Pourqoi me réveiller" by Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato is GBBBA0742430.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBBBA0742430?

GBBBA0742430 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Werther: Toute mon âme est là!... Pourqoi me réveiller" by Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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