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Die Walküre: »Winterstürme wichen dem Wonnemond« (Siegmund) album cover

ISRC

GBBBA0844680

Die Walküre: »Winterstürme wichen dem Wonnemond« (Siegmund)

Song: Die Walküre, WWV 86B: Akt I, Scene III. “Ein Schwert verhieß mir der Vater“

Jonas KaufmannMahler Chamber OrchestraClaudio Abbado
Released 2009-09-14

Last verified:

GBBBA0844680 is the International Standard Recording Code (ISRC) for the recording “Die Walküre: »Winterstürme wichen dem Wonnemond« (Siegmund)” by Jonas Kaufmann, Mahler Chamber Orchestra, Claudio Abbado, released 2009-09-14. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
BBARegistrant
08Year (2008)
44680Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Die Walküre: »Winterstürme wichen dem Wonnemond« (Siegmund)" by Jonas Kaufmann?
The ISRC for "Die Walküre: »Winterstürme wichen dem Wonnemond« (Siegmund)" by Jonas Kaufmann, Mahler Chamber Orchestra, Claudio Abbado is GBBBA0844680.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBBBA0844680?

GBBBA0844680 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Die Walküre: »Winterstürme wichen dem Wonnemond« (Siegmund)” by Jonas Kaufmann, Mahler Chamber Orchestra, Claudio Abbado. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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