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ISRC

GBBBA0845111

Orphée et Eurydice : Acte I. Air en rondeau: Eurydice! Eurydice! De ce doux nom2

Song: ORFEO ED EURIDICE (ORPHEE EURIDICE) - CHE FARO SENZA EURIDICE

Christoph Willibald Gluck
unmatchedNot yet matched in the MLC database
Released 2010-04-12

Last verified:

GBBBA0845111 is the International Standard Recording Code (ISRC) for the recording "Orphée et Eurydice : Acte I. Air en rondeau: Eurydice! Eurydice! De ce doux nom" by Christoph Willibald Gluck, released 2010-04-12. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
BBARegistrant
08Year (2008)
45111Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Orphée et Eurydice : Acte I. Air en rondeau: Eurydice! Eurydice! De ce doux nom" by Christoph Willibald Gluck?
The ISRC for "Orphée et Eurydice : Acte I. Air en rondeau: Eurydice! Eurydice! De ce doux nom" by Christoph Willibald Gluck is GBBBA0845111.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBBBA0845111?

GBBBA0845111 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Orphée et Eurydice : Acte I. Air en rondeau: Eurydice! Eurydice! De ce doux nom" by Christoph Willibald Gluck. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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