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Frauenliebe und -leben op. 42: 3. Ich kann’s nicht fassen, nicht glauben album cover

ISRC

GBBBA1800627

Frauenliebe und -leben op. 42: 3. Ich kann’s nicht fassen, nicht glauben

Song: Frauenliebe und -leben, op. 42: Nr. 3. Ich kann's nicht fassen, nicht glauben

Renée FlemingHartmut Höll
Released 2019-06-14

Last verified:

GBBBA1800627 is the International Standard Recording Code (ISRC) for the recording "Frauenliebe und -leben op. 42: 3. Ich kann’s nicht fassen, nicht glauben" by Renée Fleming, Hartmut Höll, released 2019-06-14. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
BBARegistrant
18Year (2018)
00627Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Frauenliebe und -leben op. 42: 3. Ich kann’s nicht fassen, nicht glauben" by Renée Fleming?
The ISRC for "Frauenliebe und -leben op. 42: 3. Ich kann’s nicht fassen, nicht glauben" by Renée Fleming, Hartmut Höll is GBBBA1800627.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBBBA1800627?

GBBBA1800627 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Frauenliebe und -leben op. 42: 3. Ich kann’s nicht fassen, nicht glauben" by Renée Fleming, Hartmut Höll. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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