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Mam'zelle Angot: 11. Allegro - Presto / 12. Adagio album cover

ISRC

GBBBA5850095

Mam'zelle Angot: 11. Allegro - Presto / 12. Adagio

Song: Mam'zelle Angot : No. 12. Adagio

Orchestra of the Royal Opera HouseCovent GardenAnatole Fistoulari
Released 2013-09-28

Last verified:

GBBBA5850095 is the International Standard Recording Code (ISRC) for the recording "Mam'zelle Angot: 11. Allegro - Presto / 12. Adagio" by Orchestra of the Royal Opera House, Covent Garden, Anatole Fistoulari, released 2013-09-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
BBARegistrant
58Year (1958)
50095Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1958):
Last two digits of the reference year (1958). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Mam'zelle Angot: 11. Allegro - Presto / 12. Adagio" by Orchestra of the Royal Opera House?
The ISRC for "Mam'zelle Angot: 11. Allegro - Presto / 12. Adagio" by Orchestra of the Royal Opera House, Covent Garden, Anatole Fistoulari is GBBBA5850095.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBBBA5850095?

GBBBA5850095 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Mam'zelle Angot: 11. Allegro - Presto / 12. Adagio" by Orchestra of the Royal Opera House, Covent Garden, Anatole Fistoulari. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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