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ISRC

GBBBA6250410

Rigoletto: “Bella figlia dell’amore” (Quartet)

Song: Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto)

Renato CioniCornell MacNeilStefania MalagúJoan SutherlandNino Sanzogno
Released 1989-01-01

Last verified:

GBBBA6250410 is the International Standard Recording Code (ISRC) for the recording “Rigoletto: “Bella figlia dell’amore” (Quartet)” by Renato Cioni, Cornell MacNeil, Stefania Malagú, Joan Sutherland, Nino Sanzogno, released 1989-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
BBARegistrant
62Year (1962)
50410Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1962):
Last two digits of the reference year (1962). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Rigoletto: “Bella figlia dell’amore” (Quartet)" by Renato Cioni?
The ISRC for "Rigoletto: “Bella figlia dell’amore” (Quartet)" by Renato Cioni, Cornell MacNeil, Stefania Malagú, Joan Sutherland, Nino Sanzogno is GBBBA6250410.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBBBA6250410?

GBBBA6250410 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Rigoletto: “Bella figlia dell’amore” (Quartet)” by Renato Cioni, Cornell MacNeil, Stefania Malagú, Joan Sutherland, Nino Sanzogno. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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