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L'Amant anonyme, Act 1: Son amour, sa constance extrême album cover

ISRC

GBBBC2200216

L'Amant anonyme, Act 1: Son amour, sa constance extrême

Song: L’Amant anonyme, Act I: Son amour, sa constance extrême

Samuel MariñoLa Cetra Barockorchester BaselAndrea Marcon
Released 2022-05-27

Last verified:

GBBBC2200216 is the International Standard Recording Code (ISRC) for the recording “L'Amant anonyme, Act 1: Son amour, sa constance extrême” by Samuel Mariño, La Cetra Barockorchester Basel, Andrea Marcon, released 2022-05-27. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
BBCRegistrant
22Year (2022)
00216Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "L'Amant anonyme, Act 1: Son amour, sa constance extrême" by Samuel Mariño?
The ISRC for "L'Amant anonyme, Act 1: Son amour, sa constance extrême" by Samuel Mariño, La Cetra Barockorchester Basel, Andrea Marcon is GBBBC2200216.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBBBC2200216?

GBBBC2200216 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “L'Amant anonyme, Act 1: Son amour, sa constance extrême” by Samuel Mariño, La Cetra Barockorchester Basel, Andrea Marcon. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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