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An die ferne Geliebte, op. 98: No. 1, Auf dem Hügel sitz ich spähend album cover

ISRC

GBBBC2201095

An die ferne Geliebte, op. 98: No. 1, Auf dem Hügel sitz ich spähend

Song: An die ferne Geliebte, op. 98: No. 1. Auf dem Hügel sitz' ich, spähend

Mark PadmoreMitsuko Uchida
Released 2023-01-27

Last verified:

GBBBC2201095 is the International Standard Recording Code (ISRC) for the recording "An die ferne Geliebte, op. 98: No. 1, Auf dem Hügel sitz ich spähend" by Mark Padmore, Mitsuko Uchida, released 2023-01-27. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
BBCRegistrant
22Year (2022)
01095Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "An die ferne Geliebte, op. 98: No. 1, Auf dem Hügel sitz ich spähend" by Mark Padmore?
The ISRC for "An die ferne Geliebte, op. 98: No. 1, Auf dem Hügel sitz ich spähend" by Mark Padmore, Mitsuko Uchida is GBBBC2201095.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBBBC2201095?

GBBBC2201095 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "An die ferne Geliebte, op. 98: No. 1, Auf dem Hügel sitz ich spähend" by Mark Padmore, Mitsuko Uchida. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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