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Der Fluyten Lust-Hof: Part I no. 58: Derde “Doen Daphne d’over schoone Maeght” (Theme) album cover

ISRC

GBBBC2400578

Der Fluyten Lust-Hof: Part I no. 58: Derde “Doen Daphne d’over schoone Maeght” (Theme)

Song: Der Fluyten Lust-Hof, vol. 1: Derde Daphne

Lucie Horsch
Released 2024-11-08

Last verified:

GBBBC2400578 is the International Standard Recording Code (ISRC) for the recording "Der Fluyten Lust-Hof: Part I no. 58: Derde “Doen Daphne d’over schoone Maeght” (Theme)" by Lucie Horsch, released 2024-11-08. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
BBCRegistrant
24Year (2024)
00578Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Der Fluyten Lust-Hof: Part I no. 58: Derde “Doen Daphne d’over schoone Maeght” (Theme)" by Lucie Horsch?
The ISRC for "Der Fluyten Lust-Hof: Part I no. 58: Derde “Doen Daphne d’over schoone Maeght” (Theme)" by Lucie Horsch is GBBBC2400578.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBBBC2400578?

GBBBC2400578 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Der Fluyten Lust-Hof: Part I no. 58: Derde “Doen Daphne d’over schoone Maeght” (Theme)" by Lucie Horsch. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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