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My Heart Beat Like a Hammer (take 1) album cover

ISRC

GBBBN9902091

My Heart Beat Like a Hammer (take 1)2

Song: MY HEART BEATS LIKE A HAMMER

Fleetwood Mac
matched
Released 1999-01-01

Last verified:

GBBBN9902091 is the International Standard Recording Code (ISRC) for the recording “My Heart Beat Like a Hammer (take 1)” by Fleetwood Mac, released 1999-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by J.L. MCFARLAND, J. BAILEY.

Format

GBCountry
BBNRegistrant
99Year (1999)
02091Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1999):
Last two digits of the reference year (1999). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

J.L. MCFARLANDComposer
J. BAILEYComposer

MLC Song Code

M7580F
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "My Heart Beat Like a Hammer (take 1)" by Fleetwood Mac?
The ISRC for "My Heart Beat Like a Hammer (take 1)" by Fleetwood Mac is GBBBN9902091.
Who wrote "My Heart Beat Like a Hammer (take 1)"?
"My Heart Beat Like a Hammer (take 1)" was written by J.L. MCFARLAND, J. BAILEY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBBBN9902091?

GBBBN9902091 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “My Heart Beat Like a Hammer (take 1)” by Fleetwood Mac. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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