Tiene sabor album cover

ISRC

GBBGU1490003

Tiene sabor2

Song: TIENE SABOR

Buena Vista Social ClubOmara Portuondo
matched
Released 2015-01-01

Last verified:

GBBGU1490003 is the International Standard Recording Code (ISRC) for the recording “Tiene sabor by Buena Vista Social Club, Omara Portuondo, released 2015-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ROLANDO VALDES.

Format

GBCountry
BGURegistrant
14Year (2014)
90003Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ROLANDO VALDESComposer
PEER INTERNATIONAL CORP OriginalPublisher100.00%IPI: 00023764981

Who publishes this song?

PEER INTERNATIONAL CORPOriginalPublisher
IPI: 00023764981

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Tiene sabor" by Buena Vista Social Club?
The ISRC for "Tiene sabor" by Buena Vista Social Club, Omara Portuondo is GBBGU1490003.
Who wrote "Tiene sabor"?
"Tiene sabor" was written by ROLANDO VALDES.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBBGU1490003?

GBBGU1490003 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Tiene sabor by Buena Vista Social Club, Omara Portuondo. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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