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First Love album cover

ISRC

GBBKS2400151

First Love

Song: FIRST LOVE

BADBADNOTGOOD
matched
Released 2024-01-01

Last verified:

GBBKS2400151 is the International Standard Recording Code (ISRC) for the recording “First Love” by BADBADNOTGOOD, released 2024-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JUAN CARLOS MEDRANO, ALEXANDER SOWINSKI, LELAND WHITTY, and others.

Format

GBCountry
BKSRegistrant
24Year (2024)
00151Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JUAN CARLOS MEDRANOComposerLyricist
ALEXANDER SOWINSKIComposerLyricist
LELAND WHITTYComposerLyricist
CHESTER A HANSENComposerLyricist
FELIX FOX PAPPASComposerLyricist
KAELIN MAN BOK MURPHYComposerLyricist

Credits Graph

SourcesMusicBrainz

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People also ask

What is the ISRC for "First Love" by BADBADNOTGOOD?
The ISRC for "First Love" by BADBADNOTGOOD is GBBKS2400151.
Who wrote "First Love"?
"First Love" was written by JUAN CARLOS MEDRANO, ALEXANDER SOWINSKI, LELAND WHITTY, CHESTER A HANSEN, FELIX FOX PAPPAS, KAELIN MAN BOK MURPHY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBBKS2400151?

GBBKS2400151 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “First Love” by BADBADNOTGOOD. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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