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ISRC

GBBLY2200233

The Rite of Spring, Part Two - "The Sacrifice": Mystic Circles of the Young Girls

Song: Le Sacre du printemps: II. Le Sacrifice: II. Cercles mystérieux des adolescentes

Boston Symphony OrchestraPierre Monteux
Released 2022-01-01

Last verified:

GBBLY2200233 is the International Standard Recording Code (ISRC) for the recording “The Rite of Spring, Part Two - "The Sacrifice": Mystic Circles of the Young Girls” by Boston Symphony Orchestra, Pierre Monteux, released 2022-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
BLYRegistrant
22Year (2022)
00233Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "The Rite of Spring, Part Two - "The Sacrifice": Mystic Circles of the Young Girls" by Boston Symphony Orchestra?
The ISRC for "The Rite of Spring, Part Two - "The Sacrifice": Mystic Circles of the Young Girls" by Boston Symphony Orchestra, Pierre Monteux is GBBLY2200233.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBBLY2200233?

GBBLY2200233 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “The Rite of Spring, Part Two - "The Sacrifice": Mystic Circles of the Young Girls” by Boston Symphony Orchestra, Pierre Monteux. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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