ISRC

GBBQH9900147

Elephant Man2

Song: ELEPHANT MAN

Suede
unmatchedNot yet matched in the MLC database
Released 1999-01-01

Last verified:

GBBQH9900147 is the International Standard Recording Code (ISRC) for the recording “Elephant Man by Suede, released 1999-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
BQHRegistrant
99Year (1999)
00147Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1999):
Last two digits of the reference year (1999). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Musical work link not available yet

This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.

Who wrote this song?

NEIL CODLINGComposer
SONY/ATV TREE PUBLISHING OriginalPublisherIPI: 00425389934

Who publishes this song?

SONY/ATV TREE PUBLISHINGOriginalPublisher
IPI: 00425389934

MLC Song Code

SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "Elephant Man" by Suede?
The ISRC for "Elephant Man" by Suede is GBBQH9900147.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBBQH9900147?

GBBQH9900147 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Elephant Man by Suede. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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