The Second album cover

ISRC

GBBYB1201160

The Second2

Song: THE SECOND

ManMachine
unmatchedNot yet matched in the MLC database
Released 2015-12-18

Last verified:

GBBYB1201160 is the International Standard Recording Code (ISRC) for the recording “The Second by ManMachine, released 2015-12-18. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
BYBRegistrant
12Year (2012)
01160Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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This recording is not yet in the Notes database. Notes-enhanced ISRCs include ownership data, songwriter credits, and publisher chains.

SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "The Second" by ManMachine?
The ISRC for "The Second" by ManMachine is GBBYB1201160.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBBYB1201160?

GBBYB1201160 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “The Second by ManMachine. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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