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Frauenliebe und -leben, op. 42: Nun hast du mir den ersten Schmerz getan album cover

ISRC

GBBZS2163322

Frauenliebe und -leben, op. 42: Nun hast du mir den ersten Schmerz getan2

Song: Frauenliebe und -leben, op. 42: Nr. 8. Nun hast du mir den ersten Schmerz getan

Roderick WilliamsAndrew West
Released 2021-07-16

Last verified:

GBBZS2163322 is the International Standard Recording Code (ISRC) for the recording “Frauenliebe und -leben, op. 42: Nun hast du mir den ersten Schmerz getan” by Roderick Williams, Andrew West, released 2021-07-16. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
BZSRegistrant
21Year (2021)
63322Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Frauenliebe und -leben, op. 42: Nun hast du mir den ersten Schmerz getan" by Roderick Williams?
The ISRC for "Frauenliebe und -leben, op. 42: Nun hast du mir den ersten Schmerz getan" by Roderick Williams, Andrew West is GBBZS2163322.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBBZS2163322?

GBBZS2163322 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Frauenliebe und -leben, op. 42: Nun hast du mir den ersten Schmerz getan” by Roderick Williams, Andrew West. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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