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The Heretic Anthem album cover

ISRC

GBCBR1700090

The Heretic Anthem2

Song: THE HERETIC ANTHEM

Slipknot
unmatchedNot yet matched in the MLC database
Released 2017-10-06

Last verified:

GBCBR1700090 is the International Standard Recording Code (ISRC) for the recording "The Heretic Anthem" by Slipknot, released 2017-10-06. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by SIDNEY WILSON, CHRIS FEHN, MICKAEL THOMSON, and others.

Format

GBCountry
CBRRegistrant
17Year (2017)
00090Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCThe Heretic Anthem
IPISIDNEY WILSON

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Songwriter profiles

SIDNEY WILSONIPICHRIS FEHNIPIMICKAEL THOMSONIPIJAMES ROOTIPIJOEY JORDISONIPICRAIG JONESIPIPAUL D GRAYIPI

People also ask

What is the ISRC for "The Heretic Anthem" by Slipknot?
The ISRC for "The Heretic Anthem" by Slipknot is GBCBR1700090.
Who wrote "The Heretic Anthem"?
"The Heretic Anthem" was written by SIDNEY WILSON, CHRIS FEHN, MICKAEL THOMSON, JAMES ROOT, JOEY JORDISON, CRAIG JONES, PAUL D GRAY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBCBR1700090?

GBCBR1700090 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "The Heretic Anthem" by Slipknot. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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