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WHEN THE WORLD COMES TO AN END album cover

ISRC

GBCEL2100175

WHEN THE WORLD COMES TO AN END

BJÖRKDIRTY PROJECTORSDIRTY PROJECTORS BJÖRKDIRTY PROJECTORS + BJÖRK
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Last verified:

GBCEL2100175 is the International Standard Recording Code (ISRC) for the recording "WHEN THE WORLD COMES TO AN END" by BJÖRK, DIRTY PROJECTORS, DIRTY PROJECTORS BJÖRK, DIRTY PROJECTORS + BJÖRK. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DAVID DONNELL LONGSTRETH.

Format

GBCountry
CELRegistrant
21Year (2021)
00175Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCWHEN THE WORLD COMES TO AN END
IPIDAVID DONNELL LONGSTRETH

People also ask

What is the ISRC for "WHEN THE WORLD COMES TO AN END" by BJÖRK?
The ISRC for "WHEN THE WORLD COMES TO AN END" by BJÖRK, DIRTY PROJECTORS, DIRTY PROJECTORS BJÖRK, DIRTY PROJECTORS + BJÖRK is GBCEL2100175.
Who wrote "WHEN THE WORLD COMES TO AN END"?
"WHEN THE WORLD COMES TO AN END" was written by DAVID DONNELL LONGSTRETH.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBCEL2100175?

GBCEL2100175 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "WHEN THE WORLD COMES TO AN END" by BJÖRK, DIRTY PROJECTORS, DIRTY PROJECTORS BJÖRK, DIRTY PROJECTORS + BJÖRK. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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