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Lost Weekend album cover

ISRC

GBCFB0801900

Lost Weekend2

Song: LOST WEEKEND

The QemistsMike Patton
matched
Released 2008-01-01

Last verified:

GBCFB0801900 is the International Standard Recording Code (ISRC) for the recording “Lost Weekend” by The Qemists, Mike Patton, released 2008-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by LEON PAUL HARRIS, MICHAEL RAYMOND PATTON, LIAM MCGREGOR BLACK, and others.

Format

GBCountry
CFBRegistrant
08Year (2008)
01900Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

LEON PAUL HARRISComposer
MICHAEL RAYMOND PATTONComposer
LIAM MCGREGOR BLACKComposer
DANIEL JAMES ARNOLDComposer

MLC Song Code

L63188
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Lost Weekend" by The Qemists?
The ISRC for "Lost Weekend" by The Qemists, Mike Patton is GBCFB0801900.
Who wrote "Lost Weekend"?
"Lost Weekend" was written by LEON PAUL HARRIS, MICHAEL RAYMOND PATTON, LIAM MCGREGOR BLACK, DANIEL JAMES ARNOLD.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBCFB0801900?

GBCFB0801900 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Lost Weekend” by The Qemists, Mike Patton. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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