Believe Me (alternative version) album cover

ISRC

GBDCE1000092

Believe Me (alternative version)2

Song: BELIEVE ME

Badfinger
unmatchedNot yet matched in the MLC database
Released 2010-10-22

Last verified:

GBDCE1000092 is the International Standard Recording Code (ISRC) for the recording "Believe Me (alternative version)" by Badfinger, released 2010-10-22. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
DCERegistrant
10Year (2010)
00092Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

TOM EVANSComposer
THE ESTATE FOR THOMAS EVANS OriginalPublisher0.00%
KOBALT MUSIC PUB AMERICA INC RightsAdministrator100.00%IPI: 00503659557

Who publishes this song?

THE ESTATE FOR THOMAS EVANSOriginalPublisher
KOBALT MUSIC PUB AMERICA INCRightsAdministrator
IPI: 00503659557

MLC Song Code

SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "Believe Me (alternative version)" by Badfinger?
The ISRC for "Believe Me (alternative version)" by Badfinger is GBDCE1000092.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBDCE1000092?

GBDCE1000092 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Believe Me (alternative version)" by Badfinger. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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