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Bluebeard's Castle: Second Door: The Armoury album cover

ISRC

GBDGQ0918503

Bluebeard's Castle: Second Door: The Armoury

Song: A Kékszakállú herceg vára: Door 2 "Mit látsz? Százkegyetlen szörnyü fegyver"

Sir Willard WhiteElena ZhidkovaLondon Symphony OrchestraValery Gergiev
Released 2009-07-27

Last verified:

GBDGQ0918503 is the International Standard Recording Code (ISRC) for the recording “Bluebeard's Castle: Second Door: The Armoury” by Sir Willard White, Elena Zhidkova, London Symphony Orchestra, Valery Gergiev, released 2009-07-27. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
DGQRegistrant
09Year (2009)
18503Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Bluebeard's Castle: Second Door: The Armoury" by Sir Willard White?
The ISRC for "Bluebeard's Castle: Second Door: The Armoury" by Sir Willard White, Elena Zhidkova, London Symphony Orchestra, Valery Gergiev is GBDGQ0918503.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBDGQ0918503?

GBDGQ0918503 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Bluebeard's Castle: Second Door: The Armoury” by Sir Willard White, Elena Zhidkova, London Symphony Orchestra, Valery Gergiev. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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