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Die sieben Todsünden: V. Völlerei album cover

ISRC

GBDGQ2538005

Die sieben Todsünden: V. Völlerei

Song: Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 5. Völlerei. Largo (Familie)

Andrew StaplesFlorian BoeschRoss RamgobinAlessandro FisherSir Simon Rattle
Released 2025-01-17

Last verified:

GBDGQ2538005 is the International Standard Recording Code (ISRC) for the recording “Die sieben Todsünden: V. Völlerei” by Andrew Staples, Florian Boesch, Ross Ramgobin, Alessandro Fisher, Sir Simon Rattle, released 2025-01-17. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
DGQRegistrant
25Year (2025)
38005Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Die sieben Todsünden: V. Völlerei" by Andrew Staples?
The ISRC for "Die sieben Todsünden: V. Völlerei" by Andrew Staples, Florian Boesch, Ross Ramgobin, Alessandro Fisher, Sir Simon Rattle is GBDGQ2538005.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBDGQ2538005?

GBDGQ2538005 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Die sieben Todsünden: V. Völlerei” by Andrew Staples, Florian Boesch, Ross Ramgobin, Alessandro Fisher, Sir Simon Rattle. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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