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Screamin’ and Hollerin’ the Blues album cover

ISRC

GBDTM2039719

Screamin’ and Hollerin’ the Blues2

Song: SCREAMIN' & HOLLERIN' THE BLUES

Charley Patton
unmatchedNot yet matched in the MLC database
Released 1929-09-01

Last verified:

GBDTM2039719 is the International Standard Recording Code (ISRC) for the recording "Screamin’ and Hollerin’ the Blues" by Charley Patton, released 1929-09-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
DTMRegistrant
20Year (2020)
39719Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

CHARLEY PATTONComposer
EMI LONGITUDE MUSIC CO. OriginalPublisher100.00%IPI: 00353951547

Who publishes this song?

EMI LONGITUDE MUSIC CO.OriginalPublisher
IPI: 00353951547

MLC Song Code

S26203
Verify on MLC Portal →
SourcesMusicBrainzMLCMLC3 sources

Verified on

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People also ask

What is the ISRC for "Screamin’ and Hollerin’ the Blues" by Charley Patton?
The ISRC for "Screamin’ and Hollerin’ the Blues" by Charley Patton is GBDTM2039719.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBDTM2039719?

GBDTM2039719 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Screamin’ and Hollerin’ the Blues" by Charley Patton. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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