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ISRC

GBDVX0500058

When the Night Feels My Song2

Song: WHEN THE NIGHT FEELS MY SONG

Bedouin Soundclash
unmatchedNot yet matched in the MLC database
Released 2004-07-11

Last verified:

GBDVX0500058 is the International Standard Recording Code (ISRC) for the recording “When the Night Feels My Song” by Bedouin Soundclash, released 2004-07-11. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CARL PATRICK ALLAN PENGELLY, JAY JOSEPH MALINOWSKI, EON GYASI SINCLAIR.

Format

GBCountry
DVXRegistrant
05Year (2005)
00058Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCWhen the Night Feels My Song
IPICARL PATRICK ALLAN PENGELLY

People also ask

What is the ISRC for "When the Night Feels My Song" by Bedouin Soundclash?
The ISRC for "When the Night Feels My Song" by Bedouin Soundclash is GBDVX0500058.
Who wrote "When the Night Feels My Song"?
"When the Night Feels My Song" was written by CARL PATRICK ALLAN PENGELLY, JAY JOSEPH MALINOWSKI, EON GYASI SINCLAIR.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBDVX0500058?

GBDVX0500058 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “When the Night Feels My Song” by Bedouin Soundclash. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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