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The One I Love Is Gone album cover

ISRC

GBDVY1000522

The One I Love Is Gone2

Song: THE ONE I LOVE IS GONE

Katie Melua
matched
Released 2010-01-01

Last verified:

GBDVY1000522 is the International Standard Recording Code (ISRC) for the recording “The One I Love Is Gone” by Katie Melua, released 2010-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BILL MONROE.

Format

GBCountry
DVYRegistrant
10Year (2010)
00522Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

BILL MONROEComposer
UNICHAPPELL MUSIC, INC. OriginalPublisher100.00%IPI: 00055032802

Who publishes this song?

UNICHAPPELL MUSIC, INC.OriginalPublisher
IPI: 00055032802

Credits Graph

MLC Song Code

O2145T
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "The One I Love Is Gone" by Katie Melua?
The ISRC for "The One I Love Is Gone" by Katie Melua is GBDVY1000522.
Who wrote "The One I Love Is Gone"?
"The One I Love Is Gone" was written by BILL MONROE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBDVY1000522?

GBDVY1000522 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “The One I Love Is Gone” by Katie Melua. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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