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Sonatæ Violino solo “1681”: Sonata no. 2 in D Dorian Mode, C. 139: IV. Finale album cover

ISRC

GBEBL2533409

Sonatæ Violino solo “1681”: Sonata no. 2 in D Dorian Mode, C. 139: IV. Finale

Song: Sonatae Violino Solo no. 2: Sonata in D minor, C. 139

Bojan ČičićThe Illyria Consort
Released 2025-06-20

Last verified:

GBEBL2533409 is the International Standard Recording Code (ISRC) for the recording “Sonatæ Violino solo “1681”: Sonata no. 2 in D Dorian Mode, C. 139: IV. Finale” by Bojan Čičić, The Illyria Consort, released 2025-06-20. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
EBLRegistrant
25Year (2025)
33409Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Sonatæ Violino solo “1681”: Sonata no. 2 in D Dorian Mode, C. 139: IV. Finale" by Bojan Čičić?
The ISRC for "Sonatæ Violino solo “1681”: Sonata no. 2 in D Dorian Mode, C. 139: IV. Finale" by Bojan Čičić, The Illyria Consort is GBEBL2533409.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBEBL2533409?

GBEBL2533409 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Sonatæ Violino solo “1681”: Sonata no. 2 in D Dorian Mode, C. 139: IV. Finale” by Bojan Čičić, The Illyria Consort. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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