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To Dethrone the Witch‐Queen of Mytos K’unn (The Legend of the Battle of Blackhelm Vale) album cover

ISRC

GBEGS1600019

To Dethrone the Witch‐Queen of Mytos K’unn (The Legend of the Battle of Blackhelm Vale)

Song: To Dethrone the Witch-Queen of Mytos K'unn (The Legend of the Battle of Blackhelm Vale)

Bal-Sagoth
Released 1996-11-25

Last verified:

GBEGS1600019 is the International Standard Recording Code (ISRC) for the recording “To Dethrone the Witch‐Queen of Mytos K’unn (The Legend of the Battle of Blackhelm Vale)” by Bal-Sagoth, released 1996-11-25. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
EGSRegistrant
16Year (2016)
00019Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "To Dethrone the Witch‐Queen of Mytos K’unn (The Legend of the Battle of Blackhelm Vale)" by Bal-Sagoth?
The ISRC for "To Dethrone the Witch‐Queen of Mytos K’unn (The Legend of the Battle of Blackhelm Vale)" by Bal-Sagoth is GBEGS1600019.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBEGS1600019?

GBEGS1600019 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “To Dethrone the Witch‐Queen of Mytos K’unn (The Legend of the Battle of Blackhelm Vale)” by Bal-Sagoth. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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