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Requiem in D minor, K. 626: III. Sequenz: 6. Lacrimosa album cover

ISRC

GBELX0500965

Requiem in D minor, K. 626: III. Sequenz: 6. Lacrimosa

Song: Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa

St. Olaf ChoirSaint Paul Chamber OrchestraAndreas Delfs
Released 2004-01-01

Last verified:

GBELX0500965 is the International Standard Recording Code (ISRC) for the recording “Requiem in D minor, K. 626: III. Sequenz: 6. Lacrimosa” by St. Olaf Choir, Saint Paul Chamber Orchestra, Andreas Delfs, released 2004-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
ELXRegistrant
05Year (2005)
00965Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Requiem in D minor, K. 626: III. Sequenz: 6. Lacrimosa" by St. Olaf Choir?
The ISRC for "Requiem in D minor, K. 626: III. Sequenz: 6. Lacrimosa" by St. Olaf Choir, Saint Paul Chamber Orchestra, Andreas Delfs is GBELX0500965.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBELX0500965?

GBELX0500965 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Requiem in D minor, K. 626: III. Sequenz: 6. Lacrimosa” by St. Olaf Choir, Saint Paul Chamber Orchestra, Andreas Delfs. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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