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Israel in Egypt, Part II. Exodus: Now there arose a new king over Egypt album cover

ISRC

GBELX2308621

Israel in Egypt, Part II. Exodus: Now there arose a new king over Egypt

Song: Israel in Egypt, HWV 54: Part II "Exodus"

Jacob PerryApollo’s FireJeannette Sorrell
Released 2023-10-06

Last verified:

GBELX2308621 is the International Standard Recording Code (ISRC) for the recording “Israel in Egypt, Part II. Exodus: Now there arose a new king over Egypt” by Jacob Perry, Apollo’s Fire, Jeannette Sorrell, released 2023-10-06. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
ELXRegistrant
23Year (2023)
08621Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Israel in Egypt, Part II. Exodus: Now there arose a new king over Egypt" by Jacob Perry?
The ISRC for "Israel in Egypt, Part II. Exodus: Now there arose a new king over Egypt" by Jacob Perry, Apollo’s Fire, Jeannette Sorrell is GBELX2308621.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBELX2308621?

GBELX2308621 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Israel in Egypt, Part II. Exodus: Now there arose a new king over Egypt” by Jacob Perry, Apollo’s Fire, Jeannette Sorrell. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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