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I LL BE HERE LE YOUTH REMIX album cover

ISRC

GBEWA2402600

I LL BE HERE LE YOUTH REMIX

Song: I'LL BE HERE

SULTAN SHEPARD WITH ELDERBROOK
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GBEWA2402600 is the International Standard Recording Code (ISRC) for the recording “I LL BE HERE LE YOUTH REMIX” by SULTAN SHEPARD WITH ELDERBROOK. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by OSSAMA AL SARRAF, NED TANNER SHEPARD, ALEXANDER HARRY KOTZ.

Format

GBCountry
EWARegistrant
24Year (2024)
02600Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCI LL BE HERE LE YOUTH REMIX
IPIOSSAMA AL SARRAF

Related

Songwriter profiles

OSSAMA AL SARRAFIPINED TANNER SHEPARDIPIALEXANDER HARRY KOTZIPI

People also ask

What is the ISRC for "I LL BE HERE LE YOUTH REMIX" by SULTAN SHEPARD WITH ELDERBROOK?
The ISRC for "I LL BE HERE LE YOUTH REMIX" by SULTAN SHEPARD WITH ELDERBROOK is GBEWA2402600.
Who wrote "I LL BE HERE LE YOUTH REMIX"?
"I LL BE HERE LE YOUTH REMIX" was written by OSSAMA AL SARRAF, NED TANNER SHEPARD, ALEXANDER HARRY KOTZ.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBEWA2402600?

GBEWA2402600 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “I LL BE HERE LE YOUTH REMIX” by SULTAN SHEPARD WITH ELDERBROOK. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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