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Agrippina, HWV 6: Act 2: "Otton, Otton...Voi che udite il mio lamento" album cover

ISRC

GBF071405680

Agrippina, HWV 6: Act 2: "Otton, Otton...Voi che udite il mio lamento"

Song: Agrippina, HWV 6: Atto II

Xavier SabataArmonia AteneaGeorge Petrou
Released 2015-01-01

Last verified:

GBF071405680 is the International Standard Recording Code (ISRC) for the recording “Agrippina, HWV 6: Act 2: "Otton, Otton...Voi che udite il mio lamento"” by Xavier Sabata, Armonia Atenea, George Petrou, released 2015-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
F07Registrant
14Year (2014)
05680Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Agrippina, HWV 6: Act 2: "Otton, Otton...Voi che udite il mio lamento"" by Xavier Sabata?
The ISRC for "Agrippina, HWV 6: Act 2: "Otton, Otton...Voi che udite il mio lamento"" by Xavier Sabata, Armonia Atenea, George Petrou is GBF071405680.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBF071405680?

GBF071405680 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Agrippina, HWV 6: Act 2: "Otton, Otton...Voi che udite il mio lamento"” by Xavier Sabata, Armonia Atenea, George Petrou. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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