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Le sacre du printemps, Pt. 1 "L'adoration de la terre": V. Jeux des cités album cover

ISRC

GBF074740205

Le sacre du printemps, Pt. 1 "L'adoration de la terre": V. Jeux des cités

Royal Concertgebouw Orchestra & Eduard van Beinum

Last verified:

GBF074740205 is the International Standard Recording Code (ISRC) for the recording "Le sacre du printemps, Pt. 1 "L'adoration de la terre": V. Jeux des cités" by Royal Concertgebouw Orchestra & Eduard van Beinum. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
F07Registrant
47Year (2047)
40205Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2047):
Last two digits of the reference year (2047). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Le sacre du printemps, Pt. 1 "L'adoration de la terre": V. Jeux des cités" by Royal Concertgebouw Orchestra & Eduard van Beinum?
The ISRC for "Le sacre du printemps, Pt. 1 "L'adoration de la terre": V. Jeux des cités" by Royal Concertgebouw Orchestra & Eduard van Beinum is GBF074740205.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBF074740205?

GBF074740205 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Le sacre du printemps, Pt. 1 "L'adoration de la terre": V. Jeux des cités" by Royal Concertgebouw Orchestra & Eduard van Beinum. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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